What determines the overall organization of visual form in the works of painting, sculpture, and architecture? Artists have sometimes ventured practical rules of thumb, and mathematicians have looked for formulas that would prescribe ideal spatial relations between shapes. This companion to Rudolf Arnheim’s classic, Art and Visual Perception, shows how compositional form makes sense only when it utilizes visual symbols of the life experience that makes art meaningful.
Philip Guston: Collected Writings, Lectures, and Conversations (Documents of Twentieth-Century Art)
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How Vertebrates Left the Water
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The Power of the Center: A Study of Composition in the Visual Arts, 20th Anniversary Edition
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This book explores principles of composition and visual organization in art, architecture, and sculpture for students of the visual arts.
Additional information
| Weight | 0.34 lbs |
|---|---|
| Dimensions | 15.2 × 1.8 × 22.9 in |
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